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The work by Guido Meschiari entitled Ascolta i pixel (Listen to the pixels) (2010) provides an ideal opening to the exhibit. It consists of a series of photographic portraits of individuals taken strictly with their eyes closed, as a necessary condition to ensure their estrangement from the urban context and useful to achieve the dimension of dreams. This is followed by the photographic series by Davide Tranchina entitled Through the globe (2003), a sequence of real cities “trapped” inside a fictitious space in which we can observe the world through the glass-globes collected as souvenirs of places visited in the past. The dimension of travelling with our eyes closed continues, taking us to areas outside the city boundary where only a few elements suggest the presence of civilization. In Cristian Chironi's video entitled Le petit (2006), action is frozen as in a photograph, and only nature continues to follow its course creating a surreal atmosphere. In his video entitled 3000 esposizioni ultrarapide (3000 ultra-rapid exposures) (2002), Diego Zuelli uses computer graphics to offer a different, mathematical and distilled vision of one of the most typical landscapes in Emilia Romagna; a space familiar to the artist but which may seem alien to a foreign eye. Water, the source of every civilization, is the key feature in the work that closes the exhibit. With her video entitled Dance dance dance (2007), Silvia Camporesi brings our brief oneiric journey to a close, taking us back to an urban context. Inside a swimming pool, a swimmer embarks on a slow investigation process, striving to overcome a limit at once physical and spiritual. Guido Meschiari 名为 Ascolta i pixel（ 聆听像素）(2010) 的作品为展览提供理想的入口。它包括一系列在人们闭上双眼时仔细拍摄的照片肖像，作为确保他们远离城市环境的必要条件，并且对实现梦想的范围很有用。然后是 Davide Tranchina 名为穿越地球 (2003) 的照片系列，一系列真实的城市“镶嵌”在假想的空间中，我们可以通过作为过去参观地点的纪念品收集的玻璃球观察世界。 我们闭上双眼的旅行范围仍在继续，引领我们到城市边界之外的区域，那里只有很少的元素代表文明的存在。在 Cristian Chironi 名为 Le petit (2006) 的视频作品中，动作被定格为相片，只有自然继续沿着它的轨迹前进，营造出一种超现实的氛围。在其名为 3000 esposizioni ultrarapide（3000 超速曝光）(2002) 的视频作品中，Diego Zuelli 使用计算机图形提供艾米利亚 – 罗马涅最典型风光之一的不同的、数学的和精炼的远景；一个艺术家熟悉的空间，但在外人看来可能非常古怪。 水，所有文明的起源，是结束展览的作品中的关键特征。通过名为舞不停歇(2007) 的视频作品，Silvia Camporesi 为我们呈现前往终点的简短梦想之旅，让我们回到城市环境。在一个游泳池中，一位游泳者开始缓慢的研究过程，努力克服身体和精神的局限。 |
