 Born in Reggio Emilia in 1979 . Lives and works in Modena.
He works with video and computer graphics. In his modus operandi the infinite combination possibilities of the synthetic image become a tool for investigating existing reality while drawing in art history, cinema and photography in the development of his work. In just over two minutes, his videos show minimal, cyclically re-presented, scenes where the absence or discrete presence of sound shifts the focus on the almost hypnotic shape of the subject. In 2002 he produced 3000 esposizioni ultrarapide (3000 ultra-rapid exposures) in which he presented a different, mathematical and distilled vision of one of the most typical landscapes of Emilia Romagna, an area familiar to the artist but which might appear alien to a foreign eye. His poetics is well summarized by the following quote from Jean Epstein: «We haven't seen the Earth, nor anything of it, if we've seen it without letting go of its movement. We need to move more quickly and more like it; letting that bell tower flee, reaching it, moving it, putting it back among the hills opening out, in the merry-go-round of the poplars playing prisoner's base»*. Working with computer graphics indeed means having total control over reality, modelling objects, adding colour and changing the perspective.
3000 esposizioni ultrarapide, 2002
Computer graphics, video projection HD, Blu-ray, 2’ (loop)
Courtesy Betta Frigieri Arte Contemporanea
www.diegozuelli.it
1979年出生于雷焦艾米利亚。现生活和工作于摩德纳。
他使用视频和计算机图像来工作。他将合成图像的无限可能性作为工具，观察现实世界，并在作品中融入历史、电影和摄影技术。在短短的两分钟内，他的作品展示了短小、循环出现的场景，这些场景没有声音或声音断断续续，将注意力集中在近乎催眠的对象上。2002年，他创作了作品《3000超速曝光》，他在这部作品里展示了一个不同的、精确的和提炼的艾米利亚 – 罗马涅最典型的景观，艺术家熟悉这个领域，但外行人会觉得诡异。引用简•爱博斯坦的以下几句话概括他的诗学再合适不过：《我们没有看见地球，也没有看见地球上的任何东西，如果我们看见它，就不会让它们流逝。我们需要加速运动，更靠近它们；让钟塔逃遁，抓住它，移动它，将它放回山峦的缺口之间，在旋转木马的杨树轮上演奏囚禁者之歌》。处理计算机图片时，可以完全控制真实性、模型物体、添加颜色并改变透视图。
3000 超速曝光，2002
计算机图像，高清录像，蓝光，2’（循环播放）
贝塔弗利杰当代艺术
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